Media Action Center is a nonprofit group of concerned residents throughout the United States led by former Emmy-winning broadcaster turned media democracy advocate Sue Wilson. We successfully influence policy at the Federal Communications Commission and at local US TV and Radio stations to ensure We the People are truly served by Our publicly owned airwaves. MAC joined Frequency Forward in filing a Motion to Intervene in ABC/Disney v FCC to ensure viewers, who own the Public Airwaves and whose rights are paramount, has a seat at the table. MAC also joined a current Petition to Deny the broadcast licenses of DISNEY ABC at the FCC. In 2017, MAC forced Entercom to give up its $13.5 million license to KDND for killing a woman in a radio water drinking stunt. That same year MAC empowered local listeners across the country to take Alex Jones off their local radio dials. In 2000, we informed the Supreme Court in FCC v Prometheus Radio that multiple local TV stations with one corporate owner merely duplicate news stories on all its stations; a similar methodology is currently being used in legal cases trying to prevent the Nexstar/TEGNA merger.

Find full journalistic coverage of all this plus Sinclair Broadcasting's shell game and other public interest media issues at SueWilsonReports.com. See also Wilson's documentary "Broadcast Blues" which is more relevant today than when it premiered in 2009. Broadcast Blues.

MAC Comment to FCC re Incentivizing Local Journalism

 We salute the Federal Communications Commission for incentivizing local broadcast production. While newspapers are shuttering across the nation, radio is fighting to keep the AM dial alive while local TV is losing audience. How do we serve the increasing need for reliable local information while at the same time support broadcast models for viability? 

 First, let’s agree that locally produced news is paramount to the health and safety of our communities. If a train derails and spills anhydrous ammonia which is a health threat to us all, where can we turn if we do not have local reporters ferreting out the critical information we need in time of such an emergency? Somebody needs to spearhead that response, and broadcasters are not only the best equipped, but also the ones licensed to serve in such a situation. 

 All broadcasters subject to these proposed rules already own antennas and transmitters (the most expensive aspect of broadcasting) and employ sound engineers. So let’s set those costs aside and talk about the cost of building production studios.

 In earlier years, a Television studio was extremely expensive due to the high cost of equipment. One studio camera cost around $150,000; three are generally used for a live studio production. Today, a broadcast quality camera can be purchased for under $5,000. An entire professional TV studio can be equipped for way less than the cost of one old camera. In fact, even iPhones can serve to shoot, edit, create graphics and edit sound, and transmit live. There is no longer any need for the million dollar live trucks we TV producers cherished in days past.

 Radio studios are extremely cost effective to build.  The Project Censored Radio Show, syndicated in 50 radio markets nationwide, operates with just a $2,000 studio system. Jim Guidi, licensee of KVGC built out a state of the art studio of the University of the Pacific for $10,000.  

 The real cost of producing local news and programming is the cost of the professionals who make a show happen.  

... continued at link

 Find full comment here for download: https://www.fcc.gov/ecfs/document/10408215595668/1